Sunday, January 18, 2009

Simple Survey: Suunto Tandem Inclinometer

Once piece of equipment that isn't in my bag yet but is very handy is the Suunto Tandem compass & inclinometer.

This simple piece of equipment can do many things. It can help you figure out where the sun is going to be at a certain time of day. It is very handy when setting up for golden hour shoots. It can help you figure out how many degrees a camera pans. It can also help you align your directTV satellite dish!

The tip I'm going to talk about today is how to use an inclinometer to do some simple and quick outdoor set surveys. All you need is the inclinometer/compass, a laser tape measure, and some simple math.

This piece of equipment is sometimes referred to as a "sighting" compass because the compass/inclinometer is read by looking through an eyepiece on the side of the unit. There are two eye pieces and two floating dials on the device. For purposes of this tip we're just using the top dial, the inclinometer.

Hold the inclinometer vertically so that you're looking through the eyepiece with one eye. It takes some getting used to reading because you actually read the inclinometer's scale with one eye, and sight your target with the other eye. If you're using this for the first time it may be simpler to close one eye first, focus on the scale, then open your other eye and sight your target. You need to relax your gaze so that you are looking at both the scale and your target that you want to measure. This is the most difficult to master when using this device.

Hold the scale to your dominate eye and sight with the other eye. Then simply tilt your head up and down and the scale will tell you what degree of incline you are sighting.

Ok, now that we know how to use it, let's measure something. In the above image I want to measure/survey the wall height.

In this example A, D, M, N are values that you can easily measure. B, C are difficult to measure. The Wall Height = B (calculated side of our triangle) + D (distance of our eyesight from the ground).

The first measurement we will take is "M". "M" is the angle from your eye to the top of the building. A good way not to use a lot of math is to use the 45/45/90 deg triangle method. Sight the top of your target and move closer or further away until the angle of sight is 45 degrees. Using simple math principles we know that that "N" is also 45 degrees.

From this position sight down to zero degrees. This is the base of our right angle triangle. Now we calculate distance A by using our handy Hilti laser tape range finder, measure the distance from where you are standing to the "Zero Degree incline" line you just measured.

A = 25'5". Because in a 45/45/90 degree triangle A = B. We also know that B = 25'5"

Now we measure the D. D is how far your eye line is from the ground. In this case D = 5'4".

B + D = Wall Height
25'5" + 5'4" = 29'9"

There you have it. Our wall is approximately 29'9". Now of course this isn't EXACT but its close enough to help us set a scene scale or create tracking geometry for this building.

If you can't for use the 45/45/90 degree triangle method you can still derive the distance of B but you'll need to do a bit more math. I'm not a mathemagician so I use cheat sheets. A buddy of mine (Mike Romey) showed me these Quick study laminated charts. These reference charts are another great addition to the tracking kit.

I'd like to thank Les Ekker for showing me this tip. Les is a VFX Supervisor at Zoic Studios and is an encyclopedia of VFX knowledge. I'm sure we'll see many more tips from Les.

And thanks to Max for helping me out and posing for the reference pictures.

If you have any tips that you would like to share please email me at vfxtips(at)wilkoff(dot)net.

Wednesday, December 31, 2008

What's in my on set kit?

One of the first things I started to ask people is what do I need to bring on set? Now everyone is different. Some may take the minimalist approach or if your like me and you like gear... you try to have something for every situation. In my opinion the key is to have what you need on your person at the time.

So what I've done is I've put my kit together in a way so that when I arrive at set I can gear up with what I'll need and leave the other stuff at my base camp. (car, hotel room, or trailer). Since I've been doing lots of day shoots around LA I have a 12 gallon container and a small dolly to cart my stuff around. It's pretty handy and I can use the container as a make shift table if needed.

I also have found it handy to have a bag of clothes in the trunk as well. Sometimes if your working all day outside you need to bundle up at the end of the day.

It may seem like a lot of stuff (there is a lot of small stuff), but once I weed out what I need for the day I don't have that much and I can carry everything I need on me.

Pictures of some of the stuff in my On Set Kit
  • Canon 5D mark II
  • Kata R-103 Backpack
  • 2 batteries
  • 8 mm Sigma Fisheye (for HDRs)
  • 16-35mm 2.8 L
  • 24-105mm F4 IS
  • 430 EX Speedlight
  • LightSphere II
  • 6 GIG of CF cards
  • Linear polarizer
  • Canon HV20 HDV Camcorder
  • Canon wide angle lens for HV20
  • tripod- Manfrotto 3001
  • pan tilt head - Manfrotto 3030
  • Guerrilla Pod and small ball head.
  • Nodal Ninja 5
  • Small 8.5 x 11 cutting matte
  • Tool belt with pouch (Hip Pock-its w/ Belt)
  • Tape Measure
  • Pocket knife & Utility blade
  • Zip ties
  • Round stickers
  • Lens cleaning cloth
  • Camping water bottle holder
  • Leatherman - Wave
  • Baseball hat
  • Floppy "Camping" hat
  • Camping Chair
  • 6" metal ruler
  • Small pocket sized "reporter" notebook
  • Olympus voice recorder
  • Motorola walkabouts (sometimes we don't get crew walkies)
  • sunglasses holder (this attaches anywhere, but I put it on my belt pack)
  • Car power inverter
  • Zipper 3 ring binder (from Staples)
  • pens,highlighters,white out, glue stick, Sharpies (different colors)
  • shot sheets, manuals
  • reference info
  • aspirin, cold meds, gum, mints
  • 12 gallon Container with attached lid
  • collapsible dolly
Here are Some items that are in Zoic's on set kit that I find useful.
I'm looking to upgrade or get the following
That's it for now. I will update this post as I update my kit! Enjoy. And I look forward to hearing whats in your kit.

Tuesday, December 30, 2008

Wicked Circuits

I just wanted to let everyone know that I am going to have more time to kick off this sight in the new year.

But until then I wanted to share a link to a friend's company, Wicked Circuits . They have designed and manufactured a "wicked"ly cool Canon Red smart mount.

In the near future they are creating a few products help quickly shoot full range spherical HDRs when on set in rapidly changing lighting conditions.

Hopefully this will be my first product review in the new year.

Saturday, December 13, 2008

Hello World!

Hello Everyone,

My name is Andy Wilkoff. I have been working in the Visual Effects Industry for about 11 years now doing various things. Lately I have been starting to do more "On Set VFX supervising". And can I tell you there is a big learning curve.

Its a different world than sitting in front of your computer. There are lots of things to navigate, new lingo to learn, what to do and more importantly what NOT to do.

The main purpose of this blog is to document all the "tips and tricks" I learn along the way. I also have lots of friends that have a ton more on set experience than me. I will be interviewing them in order to learn myself and share their of the knowledge as well.

I will also break down what is in my on set kit and do equipment reviews from time to time. Because its always cool to have have a new gadget on set that makes your life easier.

And please if you have anything to add just fire me off an email.